Sam Bahadur box office collection day 3: Vicky Kaushal’s film holds strong amid clash with Animal, mints Rs 25.55 cr

Sam Bahadur container workplace collection day 3: Vicky Kaushal’s film maintains a regular momentum in the container office despite facing stiff competition from Ranbir Kapoor-starrer Animal.

Vicky Kaushal-starrer Sam Bahadur was released in theatres alongside Ranbir Kapoor’s Animal on December 1. Despite stiff opposition from the latter, Sam Bahadur has control to keep it personal and goes sturdy at the container office. The film made the most of its first weekend and saw a 50 per cent leap on Saturday. It maintained its upward trajectory on Sunday and, consistent with early estimates by enterprise tracker Sacnilk, raked in Rs 10.30 crore. This brings Sam Bahadur’s general home collection to Rs 25.55 Crore.

The film accumulated Rs 6.25 crore on the primary day of its release. In assessment, Animal had an enormous establishment, raking in Rs 63.8 crore on its first day. Despite the daunting competition, Sam Bahadur verified an impressive overall performance, witnessing a 50% surge in income on Saturday, securing Rs 9 crore. Sam Bahadur registered a fifty-six. Thirty-three per cent Hindi Occupancy on Sunday, with the highest footfall recorded at some stage in night and afternoon, indicates seventy-four—twelve per cent and sixty-one per cent—38 per cent, respectively.

Directed using Meghna Gulzar and produced by Ronnie Screwvala under RSVP Movies, Sam Bahadur capabilities Vicky Kaushal, Sanya Malhotra, and Fatima Sana Shaikh in pivotal roles. The movie portrays the lifestyles of Field Marshal Sam Manekshaw, highlighting his instrumental position in India’s victory over Pakistan in the 1971 war, leading to the creation of Bangladesh.

Luniya Time’s Shubra Gupta gave the movie 2.5 stars and wrote, “Net net, ‘Sam Bahadur’ pans out like a series of snapshots wherein facts is exceeded out to us, an awful lot extra inform than display. The writing is flat, even if it amplifies the pleasure in inherently interesting scenes. Take, for instance, a going-for-wal thread featuring an irascible factotum who has endeared himself to the massive man. The first time we see the former twiddle the knob on his beat-up radio, muttering under his breath, we are amused. Repetition in the same vein is now not as humorous.”